» RED camera http://crookedlane.com/blog Thu, 09 Feb 2012 18:11:06 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 Marc Dole On Using The RED Camera With Red Rushes http://crookedlane.com/blog/2009/07/31/marc-dole-on-using-the-red-camera-with-red-rushes/ http://crookedlane.com/blog/2009/07/31/marc-dole-on-using-the-red-camera-with-red-rushes/#comments Fri, 31 Jul 2009 11:56:13 +0000 Leslie http://crookedlane.com/blog/?p=200 Marc discusses how the crew decided to use the RED provided Red Rushes with the RED Camera instead of Final Cut.

]]> http://crookedlane.com/blog/2009/07/31/marc-dole-on-using-the-red-camera-with-red-rushes/feed/ 0 David Schwartz and Brian Courchine; Sound Mixer, Boom Operator http://crookedlane.com/blog/2009/07/26/david-schwartz-and-brian-courchine-sound-mixer-boom-operator/ http://crookedlane.com/blog/2009/07/26/david-schwartz-and-brian-courchine-sound-mixer-boom-operator/#comments Sun, 26 Jul 2009 15:46:50 +0000 Leslie http://crookedlane.com/blog/?p=192 I love this video of David and Brian. They had this quirky sense of humor the entire week of filming. They are talking a bit about sound mixing in a downtown location, and the noise of the RED Camera (and by “they” we mean David):

]]> http://crookedlane.com/blog/2009/07/26/david-schwartz-and-brian-courchine-sound-mixer-boom-operator/feed/ 0 Patrick Ruth, DP, On Using The RED Camera http://crookedlane.com/blog/2009/07/20/patrick-ruth-dp-on-using-the-red-camera/ http://crookedlane.com/blog/2009/07/20/patrick-ruth-dp-on-using-the-red-camera/#comments Mon, 20 Jul 2009 21:26:33 +0000 Leslie http://crookedlane.com/blog/?p=184 The Director of Photography, Patrick Ryan, answers the questions from the Crooked Lane blog about using the RED Camera for the film:

“The Red has the same depth of field as Super 35mm which is a huge plus. We didn’t have playback to help keep us moving. The workflow is great when you are not waiting for the camera to initialize (boot up) and it is prone to shut itself down from time to time. It is nice to be able to put 160 mInutes on a drive and view it at the end of the day.

The camera is an ergonomic disaster. Accessories come off the block at all angles. I am not fond of doing handheld with it.

No plans to add grain later. If you want a film look, shoot film. I hope to see it through a quality color session and learn what is at the limits of the raw footage.”

]]> http://crookedlane.com/blog/2009/07/20/patrick-ruth-dp-on-using-the-red-camera/feed/ 2 Chase Bailey On Why He Chose The RED Camera http://crookedlane.com/blog/2009/07/04/chase-bailey-on-why-he-chose-the-red-camera/ http://crookedlane.com/blog/2009/07/04/chase-bailey-on-why-he-chose-the-red-camera/#comments Sat, 04 Jul 2009 20:18:06 +0000 Leslie http://crookedlane.com/blog/?p=79 Chase answers questions from the readers left in the comments of this post. This time, he is talking about why he chose the RED camera for Crooked Lane and what excites him about working with it.

Follow the Viddler and YouTube channels for more content from the making of the film.

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